Main Article Content

Julian Lawrence
Teesside University
United Kingdom
https://orcid.org/0000-0002-2289-2981
Biography
Vol. 2 No. 3 (2025), Articles, pages 50-69

DOI:

https://doi.org/10.17979/ijaber.2025.2.3.12567
Submitted: 2025-08-29 Published: 2025-12-29
Copyright How to Cite

Abstract

This comics-based research field report investigates how disadvantaged primary students in Northeast England engaged with learning to make comics in the classroom. While research since the 1940s has highlighted links between comics and student engagement, little attention has been given to the transformative impact of making comics, partly because educators often read comics but rarely create them. The project Cartooning in the Classroom introduced students and teachers to methods of making comics through six weekly workshops, where participants studied Romeo and Juliet by designing cartoon characters inspired by Shakespeare’s play. Using graphic memoir as both methodology and output, the study employed collaborative practice and critical pedagogy to analyse data from field notes, artwork, observations, and feedback forms. Findings are presented as a graphic memoir that interweaves the researcher’s voice with participants’ experiences, demonstrating comics’ potential to empower marginalised learners and generate meaningful co-created knowledge.

Article Details

References

Barry, L. (2015). Syllabus: Notes from an accidental professor. Drawn & Quarterly.

Brunetti, I. (2011). Cartooning: Philosophy and practice. Yale University Press.

Gruenberg, S. M. (1944). The comics as a social force. Journal of Educational Sociology, 18(4), 204–213. https://doi.org/10.2307/2262705

Hart, T. (2018). The art of the graphic memoir: Tell your story, change your life. St. Martin’s Griffin.

Irwin, R. L., & Springgay, S. (2008). A/r/tography as Practice-Based Research. In S. Springgay, R. Irwin, C. Leggo, & P. Gouzouasis (Eds.), Being with A/r/tography (pp. xix – xxxiii). Sense Publishers.

Jackson, R. (2020). Chance encounters as a generative mechanism in art, teaching, and research. Canadian Art Teacher, 17(1), 6–15.

Kirtley, S. E., Garcia, A., & Carlson., P.E. (2020). A Once and Future Pedagogy. In S.E. Kirtley, A. García, & P.E. Calsron (Ed.), With Great Power Comes Great Pedagogy: Teaching, Learning, and Comics (pp. 3–19). University Press of Mississippi.

Kuttner, P. J., Weaver-Hightower, M. B., & Sousanis, N. (2020). Comics-based research: The affordances of comics for research across disciplines. Qualitative Research, 21(2), 195-214. https://doi.org/10.1177/1468794120918845

Lawrence, J. (2023). 21st-century winter journey. In C.-C. Lin, A. Sinner, & R. Irwin (Eds.), Community arts education: Transversal global perspectives (pp. 16–37). University of Chicago Press.

Leggo, C., Sinner, A. E., Irwin, R. L., Pantaleo, K., Gouzouasis, P., & Grauer, K. (2011). Lingering in liminal spaces: A/r/tography as living inquiry in a language arts class. International Journal of Qualitative Studies in Education, 24(2), 239–255. https://doi.org/10.1080/09518391003641908

Pedri, N. (2015). Graphic memoir: Neither fact nor fiction. In D. Stein & J.-N. Thon (Eds.), From comic strips to graphic novels: Contributions to the theory and history of graphic narrative (2nd ed., pp. 127–153). De Gruyter.

Tilley, C. L. (2014). Comics: A once-missed opportunity. The Journal of Research on Libraries and Young Adults, 4(2), n.p. https://www.yalsa.ala.org/jrlya/2014/05/comics-a-once-missed-opportunity/#more-208

Williams, M. (2009). Mr William Shakespeare’s plays. Walker Books.

Similar Articles

You may also start an advanced similarity search for this article.