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Isabel Romero-Tabeayo
Francisco César Rosa-Napal
Universidade da Coruña
Vol. Extr., núm. 04 (2015) - XIII CIG-PP, XIII Congreso Internacional G-P de Psicopedagogía. Área 4: EDUCACIÓN, DESARROLLO Y EXPRESIONES ARTÍSTICAS, pages 026-029
DOI: https://doi.org/10.17979/reipe.2015.0.04.364
Submitted: May 1, 2015 Accepted: Aug 11, 2015 Published: Oct 21, 2015
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Abstract

The current training needs in the professional field of instrumental disciplines not only understand the music business through teaching interpretation. Complementary piano area is configured as a single space for musical experimentation from the integration and practice of the constituent elements of language. This work developed within the framework of qualitative research , intended to detail, analyze and understand the basic principles of complementary piano area that must be learned and transmitted as well as inquire about the concepts, experiences and experiences of students in the professional conservatory of music.

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