The Symbolism of a Modern Church Space Composed with Light

The Case Study of Hodász Catholic Church Construction from the Bottom Up (1971-77)

Abstract

Architect László Csaba (1924-95) built churches during a period of political repression – the modern works provoked opposition from the church communities, while they received professional acclaim (the latter being internationally renowned). The acceptance of modern churches changed significantly in the following decade as the sociological context of religiosity changed. Csaba was committed to modern architectural design, and his conceptual compositions characterised by the use of natural light to modulate the interior space. The abstract form of his churches built in the 1970s was achieved by simpler means: the space, which is definitely directed from the entrance, the space formation rising towards the altar area, the dramatic use of immaterial light as a building material – all support a spiritual focus. This generous composition prevails also in St Paul church in Hodász, which was built with the participation of the members of the community thanks to the simpler construction techniques commonly used in the era.

Using documents preserved by the architect's heirs, such as plans, written documents and the architect's own photographs, the presentation reveals the creation of the church, built during the period of state-controlled ecclesiastical activity. The struggle and ingenuity of an architect who was always committed to modern architectural design are revealed in the creative will of a small community that wanted to build despite the atheist political power.

Through the story of the church in Hodász, designed and built between 1971-76, we see a clearer acceptance of modern architecture at both ecclesiastical and secular levels – in a very specific religious environment. The abstract modern space, created with a symbolic composition of light and high quality artwork, still bears the memory of its era.