The Modern Chapel of the Wounded Jesus in Zagreb
An Architecture of Silence in the Heart of the City
DOI:
https://doi.org/10.17979/aarc.2025.12.12956Keywords:
Antun Urlich, Croatia, Modern Architecture, Sacred Architecture, ZagrebAbstract
The Chapel of the Wounded Christ in Zagreb, designed by Antun Urlich in 1936, represents a rare example of modernist sacred architecture integrated within the city’s historic core. Conceived as an architecture of silence, the chapel transforms light, proportion, and material into carriers of spiritual meaning. Embedded in the Foundation Building on Ban Jelacic Square, it contrasts the noise of urban life with an inner atmosphere of contemplation. The research interprets the chapel as both architectural and theological innovation, linking Croatian modernism with wider European movements that sought new expressions of the sacred through simplicity and clarity. Urlich’s minimal composition - stone, glass, and light - creates a space where modern rationalism meets transcendence. The chapel stands as a lasting dialogue between faith and modernity, proving that silence and light can become the true language of sacred architecture within the heart of the modern city.
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