El vino y los odres: La intervención de J.I. Linazasoro en la iglesia de Valdemaqueda (Madrid)

Victoriano Sainz Gutiérrez

doi:10.17979/aarc.2020.7.0.6339

Authors

Victoriano Sainz Gutiérrez University of Seville https://orcid.org/0000-0002-8125-5333

DOI:

https://doi.org/10.17979/aarc.2020.7.0.6339

Keywords:

religious architecture, memory, modernity, José Ignacio Linazasoro, Valdemaqueda (Madrid)

Abstract

The problem of the relationship between the old and the new runs through the entire constructed work of the Spanish architect José Ignacio Linazasoro; in fact, his best projects are probably those in which he has had to work with pre-existences, establishing a dialogue between memory and modernity. This is especially true for their interventions in religious heritage sites, where he have worked to improve the conditions of use of these historic buildings or to give them another use. In the church of Valdemaqueda (1998-2001), the construction of a new nave, added to the pre-existing late Gothic apse, offers the architect the opportunity to make a suggestive reflection on the meaning of the liturgical elements in the current sacred space. With a contemporary but essential language, full of plastic references, he uses the fundamental elements of all architecture —materiality, light, space— to redefine the whole of the church.

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Author Biography

Victoriano Sainz Gutiérrez, University of Seville

Victoriano Sainz (Madrid, 1961) is an architect doctor. He currently works as a professor at the School of Architecture of the University of Seville, whose director is the Director of Urban Planning and Territorial Planning. He has coordinated the Doctorate Program of said Department between 2000 and 2003. Since 2015 he is the researcher responsible for the research group HUM-710 of the Andalusian Research Plan and has published various works on the role of religion in the history of the city. He was a member of the scientific committee of the III CIARC, held in Seville in 2013.

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