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Carlos Javier Rubio García
Paleoymás S.L., C/ Retama, 17, 50720, Cartuja Baja, Zaragoza
Spain
Sandra González Galindo
(1) Paleoymás S.L., C/ Retama, 17, 50720, Cartuja Baja, Zaragoza
Spain
Rosa Alonso Montero
(1) Paleoymás S.L., C/ Retama, 17, 50720, Cartuja Baja, Zaragoza
Spain
Gloria M. González-Fortes
Department of Biology, University of Ferrara, Emilia-Romagna, Italia
Spain
https://orcid.org/0000-0002-3700-7674
Maite Liroz Mellado
(3) Architecnica Creativos. C/Don Juan de Aragón, 50001, Zaragoza
Spain
José Manuel Calero González
Architecnica Creativos. C/Don Juan de Aragón, 50001, Zaragoza
Spain
Sara Díaz Pinar
Blue Shape., C/San Roque, 33440, Luanco, Asturias
Spain
Luis Díaz García-Rovés
Verot S.A., Pol. Ind. De Tabaza II, Carreño. Asturias
Spain
Vol. 42 (2020), Articles, pages 17-28
DOI: https://doi.org/10.17979/cadlaxe.2020.42.0.7262
Submitted: Dec 14, 2020 Accepted: Dec 15, 2020 Published: Dec 28, 2020
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Abstract

This article addresses the process of making the hyper-realistic sculpture of Elba, the Mesolithic shepherd of O Courel, whose remains were found in the cave of Chan do Lindeiro (Pedrafita do Cebreiro, Lugo). It outlines the technical processes that were carried out during the sculpture´s creation, following the same order in which each of the steps of this artistic project were followed based on the scientific knowledge that is available up to now.

Article Details

References

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