Main Article Content

  • Héctor García-Diego Villarías
  • María Villanueva Fernández
Héctor García-Diego Villarías
María Villanueva Fernández
Vol. 5 (2015), Articles, pages 19-26
DOI: https://doi.org/10.17979/bac.2015.5.0.1035
Submitted: Jul 9, 2015 Accepted: Jul 9, 2015
How to Cite

Abstract

The article explores the operability of the graphic principles of the Concrete Art in its application to a real architecture project. To achieve this goal, the text uses the example of Lanfranco Bombelli’s own house, designed by him in 1961 and located in Cadaqués. The work demonstrates how domestic architecture can draws on notions of graphics. Actually, Concrete Art presents certain similarities in way of dealing with the project of architecture. And that is why the plastic experimentalism of the LBT house is palpable, yet overlaps with a sophisticated reading of the local tradition language.

Downloads

Download data is not yet available.

Article Details

References

Arp, Jean. Jours effeuillés. Paris: Gallimard, 1966.

Bill, Max. La concepción matemática del arte de nuestro tiempo. Barcelona: Edicions UPC, 2001.

Carlsund, Otto, Theo van Doesburg, Jean Hélion, Léon Arthur Tutundjian, y Marcel Wantz. “Base de la peinture concrète”. Art Concret 1, 1930.

Centellas Soler, Miguel, Carmen Jordà Such, y Susana Landrove. La vivienda moderna: registro DOCOMOMO ibérico: 1925-1965. Barcelona: Fundación Caja de Arquitectos y DOCOMOMO Ibérico, 2009.

Correa Ruiz, Federico. “Cadaqués”. Arquitectura 65, mayo 1964.

Martín Madrid, Manuel, y Anna Noguera Nieto. El Cadaqués de Peter Harnden y Lanfranco Bombelli. Barcelona: Col•legi d’Arquitectes de Catalunya, 2003.

Red. “A Cadaqués”. Domus 384, noviembre 1961.