Contenido principal del artículo

Noemí Pereira Ares
Universidad de Santiago de Compostela
España
Biografía
Vol. 8 Núm. 1 (2023), Monográfico, Páginas 169-191
DOI: https://doi.org/10.17979/arief.2023.8.1.8711
Recibido: sept. 27, 2021 Aceptado: oct. 8, 2022 Publicado: ene. 9, 2023
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Resumen

La actual industria de la moda encierra un sistema de producción y consumo en el que la explotación del medioambiente, la explotación de ciertas zonas geográficas y la explotación laboral —principalmente de mano de obra femenina— se interrelacionan de forma indisoluble. Partiendo de una metodología interdisciplinar que combina estudios ecofeministas y aproximaciones sociológicas a la moda en un contexto postcolonial, el presente trabajo persigue examinar la interrelación entre moda, subalternidad y ecología a través de un análisis socio-literario de la novela debut de Monica Ali, Brick Lane (2003). Como se mostrará, Brick Lane entreteje las historias de varias subalternas spivakianas que encuentran en la actual industria textil una fuente de empoderamiento al tiempo que sus cuerpos y el entorno natural que las rodea se convierten en un foco de sobreexplotación. Con un escenario que transporta al lector desde Daca, capital de Bangladés, hasta el Londres de los talleres textiles clandestinos, Brick Lane ofrece un sutil retrato de la ambigua relación entre moda, subalternidad femenina y ecología a ambos lados de la línea divisoria entre oriente y occidente.

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